Monday, August 26, 2019

Book Graveyards

(BTW, this is an image of the Gillespie Cemetery in Eugene, Oregon where many of my ancestors were laid to rest. It overlooks the city of Eugene and the earliest grave is from the 1850s.)

This post started as an overly long comment at Krystal Jane Ruin's blog:
See the original here:
I just went through my load of old junk stories (and look through some ancient journals) and started making plans for which ones might make the cut for the fall/winter cycle. I chose four to peruse in August, meaning I hope to get 3,000 more words on each of them, kick them around for a while (not literally), do some character vignettes, make partial outlines I'll probably ignore, and then decide on just one WIP for the whole month of September. (I'm not ready for that painful decision yet.) I have a "it should be done, I thought it was done" project that I think needs five more chapters - agh! Yet, this was the conclusion of two alpha readers so I can't just ignore them entirely. I have a fantasy set in an old world (world of my first trilogy), a SF book that will not be named just now, and a non-fiction book that I think will be something I poke at for the next 12 months - adding a few words to the petri dish of doom on a regular basis. (And there's three other projects wailing for my attention sporadically - but they have to wait at least until winter - "sends ideas to corner.")
And, then there's that short story ... hmm. Well, it might get a weekend for a fling. :)

So, what happened after I wrote that comment?
I created some handwritten SMART goals to help me spend time with the various projects and make a decision. Then, I wrote a completely new short story between races at Nationals, while I was operating a video camera in 95 degree heat with high humidity, you know, cause that's what you do when you are craving words and your own daughter isn't racing for a few hours. I did actually manage to video the races, but I was typing madly on my phone between each race.

Then, I had this idea. It was a terrifying idea. Not a horror story, but a genre I'm terrified of writing. I decided to write it. Two days into it and I had over 5,000 words, two main characters I cared about, and a small subset of secondary characters who were helpful, but not hindrances. I had a setting (Portland), and my characters had story-worthy problems. But, I was still terrified. And, I kept writing.

Despite this new story world, I did make my SMART goals about the other projects, spending 3,000 words on each of them, checking in with the messes that they are, and making a decision about my focus points for September.

  • I am writing the new terrifying project. (Big September Draft Push - 2,000 words a day, if possible.)
  • I will keep working on my non-fiction project, which will be a twelve month project (there's a reason for this timeline). (A little bit each day and each week for this - no more than 25 minutes a day.)
  • I plan to polish the short stories and submit them by the end of September. (25 minutes per week until finished)
  • I am going to compile another short story anthology (or two) even though most people don't read them. (My mom and dad read them and love them. I guess I create my anthologies for them.) (25 minutes twice a week for this until it's finished.)
  • My superhero project I thought I had finished, but decided needed a sixth revision, is getting the read-aloud and slowly revise treatment. It will be Christmas before it's finished and finished well. (25 minutes a day, three times a week.)
  • I am back to submitting my children's book. I decided it's good enough for another round of queries.
All other projects are being stuffed back into files and file folders and told to wait their turn. It's painful, but I'm not ready for them yet. If I finish the terrifying project by October 1st, then I will choose the next "draft push" project to work on while I do a read-over of the terrifying project.

Do you have any book graveyards?

And, have you read Krystal's latest book yet?
In addition to writing great blog posts that get me thinking about how to tackle my own work, she recently released a book of poetry. I've been reading the book and like it so far, so if you like poetry check it out:

Garden of Ravens by Krystal Jane Ruin

And, if you haven't sent in your entry for the 2019 IWSG Anthology Contest, send it NOW!!! Details found by hitting the underlined link. 

Monday, August 12, 2019

Heroes and Villains: Know Your Origins... It's a Bird, It's a Plane, It's ...

This is a re-post from my now-closed Word Press blog and part of a Heroes and Villains series, exploring the history, pop culture, viewing, reading, and writing of heroes and villains. Enjoy!

Can you finish the phrase?
It’s a bird, it’s a plane, it’s ...*
One of the oldest comic book heroes has an introduction we all recognize. 
But did you know, Superman didn’t always fly?
Upon his creation, Superman was only super-strong and his super-strength made him able to run fast (faster than a speeding bullet) and jump high (leap tall building with a single bound) because he came from a planet with heavier gravity than earth’s gravity. (And, actually the first time he was inked, he wasn’t a hero at all, but a villain instead … but then, the comic creators changed their minds.)
Every superhero has an origin story, not just the origin story of his or her powers and weaknesses, but also his or her origins in written history. Superman’s story has been with us since the late 1930s and it has been told and retold like Cinderella’s story has been told and retold. We like to retell stories that resonate with us and by retelling them, we make them our own.
Superman’s powers have shifted and morphed, his character has developed differently in certain settings, and even his backstory has evolved over time. Personally, I like one of the newer renditions of his parents in which his mom has become a self-made expert on astronomy and life in the universe as she has spent years researching the origins of her adopted son. It makes sense to me as a mom and as a mom of today.
We retell our favorite stories not to ruin them, but to expand on them and share our love of them with others. Those favorite stories often inform our shiny new stories which have been built on the foundations of our favorites.

One thing that remains the same in every Superman rendition: he is a baby sent away by his parents to live on a faraway planet. They do this to save his life. There have been studies done to show how this actually reflects an even older story from the Bible, in which Moses is sent by his family to live with Pharoah's family. In the Superman/Moses parallel, both of these heroes rise to save their people (Superman saves Earth, Moses saves his people from slavery). 


1. Every hero/villain has an origin story, both in their own fictional world, and in how they came to the page.

2. It's okay if your villain becomes a hero, or vice versa, in multiple drafts of your story writing. You are in charge of the outcome of your story. You don't know where your ideas will take you sometimes and it's okay to explore before you have it all nailed down in a final draft.

3. If you don't have every detail figured out right away, it's okay. I know this sounds a little free-wheeling and that might make plotters nervous, but I have seen a few writers who have expanded back story and world-building details as their series of work has expanded. I've seen this in Anne McCaffrey's Pern series, in John Flanagan's Ranger's Apprentice series, Mercedes Lackey's Valdemar series, and more. It's possible to know just what you need to tell the story of one novel or one section of a series, knowing you can expand in the next book.

4. Many heroes have roots in faith, myth, and legend. We don't create in a vacuum. We create based on experience, knowledge, stories we've seen and heard, and more. Superman has some similarities to Moses. Who does your hero/protagonist emulate? What favorite story foundations are you working with?

For more information about Superman and other superheroes, I recommend taking the free online Edx course: The Rise of Superheroes and Their Impact on Pop Culture. I don’t get any kickback from this. It’s a course I took and one that was recommended to me by another author. The course is through the Smithsonian and features guests like the late Stan Lee. If you want, you can pay money to get a certificate that proves you took the course, but you can also sign up for free and take it for free.

Do you like superheroes? If you do, do you know their origin story of how they came to the page or screen? Do you have an origin story for how your hero/protagonist came to the page? 

Wednesday, August 7, 2019

IWSG August 2019

Many thanks to Alex J. Cavanaugh, all of the administrators, and the blog co-hosts this month for making the IWSG an awesome place to hang out, let our worries fly free, and gain/give some encouragement!

My post will be super short this month as I'm currently cheering my lungs out at the American Canoe Association Flat-water Sprint Canoe and Kayak US Nationals in Georgia. (Can you hear me from where you are?) I will be commenting for IWSG sporadically, at best.

BTW, for an quick update on my kayaking daughter: she has friends who went to the Pan American Championships and Junior/Senior Worlds, but she elected to not go to trials and to save for college this fall. She is competing at Nationals.

Has your writing ever taken you by surprise? For example, a positive and belated response to a submission you'd forgotten about or an ending you never saw coming?

My writing surprises me all the time. Okay, maybe not "all" of the time, but much of the time. I went back to look through (purge) some of my old journals and found some writing gems I decided to keep - a simile, a few poems, a novel. They were better than I remembered - surprise! 

Has your writing every surprised you?