Writing, Community, and The Systems that Support Story: A Conversation with Jemi Fraser

Writing, Community, and the Systems That Support Story: A Conversation with Jemi Fraser

One of the things I appreciate most about talking with other writers is discovering how they actually do the work—the quiet systems, the slightly nerdy spreadsheets, the imperfect-but-effective methods that make creativity sustainable.

In this episode of The Truth About Storytelling, I sat down with Jemi Fraser—author, editor, and long-time community builder—for a conversation that blends heart, craft, and real-world process. Jemi and I have known each other for years through online writing spaces and accountability groups, and this conversation felt like catching up with a writing friend who truly understands the long game.

Story Bibles, Spreadsheets, and Staying Sane

We dig into how Jemi stays organized across multiple projects, including her use of spreadsheets for story bibles, timelines, and character tracking. Rather than rigid systems, her approach is flexible—tools that support the story without strangling it.

One of my favorite moments is when she talks about creating stick-figure maps and rough visual layouts. They’re not meant to be pretty; they’re meant to work. It’s a great reminder that story clarity often comes from simple, imperfect tools that help us see the whole picture.

Research That Lives With the Story

Jemi also shares how she handles research, especially for place-based storytelling. For each book or setting, she keeps a dedicated research file in Scrivener, allowing facts, notes, images, and inspiration to live alongside the draft itself.

This method keeps research from becoming a separate, overwhelming task—and helps ensure that setting details feel integrated rather than dropped in. It’s a practical approach many writers can adapt immediately.

The Art (and Joy) of Naming

We also talk about one of my favorite craft topics: names. Jemi explains how she chooses names that feel grounded in a story’s world—like the unforgettable Phail—and how sound, cultural resonance, and tone all factor into her decisions.

Naming isn’t random or rushed; it’s part of how she builds immersion and emotional connection. Whether you’re naming a character, a town, or a fictional landmark, her process offers a thoughtful framework.

Pop Culture, Personality, and Making Stories Feel Lived-In

One extra thing I love about Jemi’s work—and something longtime readers will recognize immediately—is how she weaves in pop-culture touchstones that make her stories feel both fun and real for today’s readers.

From Star Trek and Star Wars references to nods toward music, media, and especially Canadian singers and cultural figures, these details never feel gimmicky. Instead, they reveal character. They give us small windows into who a person is, what they love, and how they move through the world.

Those references act like shorthand—establishing tone, grounding scenes in a shared cultural language, and adding warmth and humor without pulling readers out of the story. It’s one of the ways Jemi balances depth with accessibility, and it’s a craft choice that quietly does a lot of work.

This episode is for writers who:

• Love practical, adaptable craft systems

• Want to stay organized without over-engineering

• Care about names, settings, and story coherence

• Enjoy stories that feel contemporary, textured, and alive

You can find more about Jemi Fraser and her work here:

• Website for Jemi Fraser

If you’ve ever wondered how small, thoughtful details—from spreadsheets to pop-culture references—help stories feel whole, this conversation is for you.

Find The Truth About Storytelling Episode With Jemi Fraser HERE

IWSG - Best Writing Gifts

 

Thank you, IWSG and all those who are helping this month!

One of the things I love most about IWSG is how generous all the writers are with their time and energy.

For me, the best gifts I've received as a writer haven’t always been physical—though I do love books—but relational and creative.

One of the greatest gifts has been conversation. Recently, I’ve had the joy of hosting thoughtful  conversations with fellow writers on my podcast, including recent interviews with Sean McLachlan, Tara Tyler, and Sherry Ellis. Each episode reminded me that writing isn’t meant to be done in isolation. Hearing how other authors approach craft, worldbuilding, and perseverance has been encouraging and fun.

👉 Link to the RSS Feeds podcast page. The Truth About Storytelling can also be found on Spotify and other platforms.

Another meaningful gift has been time to read purely for pleasure and inspiration. Last year, I received (and collected) a wonderful stack of books—some fiction, some nonfiction, all inspiring. 

These books were an invitation to slow down, to delight in story again, and to remember that feeding the creative well is part of the work.

Ultimately, the best gifts I receive as a writer are the ones that reconnect me to stories, to fellow creators, and to the simple joy of imagining something new.

I’m thankful for this community and for the reminder that none of us write alone.

Merry Christmas and Happy Holidays!

Podcast Notes: Travel, Myth, and Middle Grade Adventure with Sherry Ellis

 

In today’s podcast episode, I’m joined by Sherry Ellis, an award-winning author of children’s and middle-grade fiction whose stories blend real-world travel, cultural history, folklore, and fast-paced adventure. Our conversation explores how authentic places and sensory detail can bring young readers deeper into a story—and why curiosity and joy matter so much in the creative process.

Sherry shares how her background as a musician and scuba diving instructor informs her writing, especially when crafting believable settings inspired by real locations around the world. We talk about her Bubba and Squirt series, which follows sibling characters through international, time-compressed adventures—each story unfolding within a 12-hour span in a different country. Sherry explains how she balances historical accuracy with imaginative mythology, often weaving in local legends, folklore, and cultural touchstones to enrich each book.

We also dive into Sherry’s writing process, including her use of sensory storytelling, research methods, and distinctive writing rituals. From incorporating authentic sounds and textures to adding classroom-friendly extras like recipes, language notes, and historical context, Sherry designs her stories to be engaging for both readers and educators. She also shares insights she’s gained from critique partners—particularly the importance of geography and realism when working with real-world settings.

Toward the end of the episode, Sherry talks about her upcoming children’s book, Happy Birthday to Us, slated for release in time for America’s 250th anniversary. It’s a delightful concept centered on a child whose birthday falls on the Fourth of July and is currently in the illustration phase.

This was a thoughtful and inspiring discussion about writing for young readers, honoring culture and history, and finding joy in the creative process. I think you’ll really enjoy it.

Find Sherry Ellis at her Website HERE

Find the podcast episode HERE

From Archeology to Authorship with Sean McLachlan

 

On this week's episode of The Truth About Storytelling, Sean McLachlan and I dive into how travel and history shape the stories we tell. From archaeology to authorship, Sean shares how his global adventures—from Cairo to Bulgaria—infuse authenticity and depth into his fiction. We talk about research, language learning, and the beauty of seeing the world through different cultural lenses. It’s an inspiring conversation about curiosity, courage, and creative life across continents.

Listen Here On The Truth About Storytelling

Conference Thoughts

I recently returned from Author Nation and I am heading into a deep planning sort of mood for the fall. Writing is going strong, but I'm also spending time considering how to use all the tools, or at least a few of the tools, I learned about at Author Nation. I love conferences because they energize me for what's next on the horizon.

Why I write about swords

When I was a kid, I had a chance to speak up about an injustice.

I didn’t have steel in my hands, but it felt like carrying a blade. It took every ounce of courage I had to open my mouth and say the truth out loud. It wasn’t easy. It changed my life.

Kickstarter News

My "Why I write about swords" series is part of my Kickstarter Prelaunch. I'm sharing it in my newsletters and have each of those segments planned out for the next two months. The Dark Blade Trilogy is well on its way to being finished. Book 3 is in progress, Book 2 is getting re-edited, and Book 1 is in the design process for the paperback and hardback this week. Soon, I hope to have some wraparound covers to share, and by December I hope to have a full proof copy of Books 1 and 2, with one to come for Book 3 in January.

Why Prelaunch?

• It helps Kickstarters gain momentum and recognition on the platform.
• It gives visibility to the book series.

Please consider heading to my prelaunch page and clicking the "Notify Me" button. This does not commit you to more than an email when the campaign launches. 

Thank you for all of your encouragement and support!

Happy IWSG Day and Favorite Stories!

 

Happy IWSG Day!

Purpose: To share and encourage. Writers can express doubts and concerns without fear of appearing foolish or weak. Those who have been through the fire can offer assistance and guidance. It’s a safe haven for insecure writers of all kinds!

The awesome co-hosts for the October 1 posting of the IWSG are Beth Camp, Crystal Collier, and Cathrina Constantine! 

Our Fearless Leader is Alex J. Cavanaugh!

Our optional question this month is about our favorite stories we've written... 

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My Favorite Things I’ve Written (So Far)

It’s always hard to choose a favorite piece of writing — usually, it’s the last book I’ve published. But looking back, here are a few that hold a special place in my heart:

• Dark Blade Forged (2024) — My latest fantasy novel, and the first in the Dark Blade Trilogy. It’s a story about a cursed sword, justice, and the power of light against shadow.

• “The Top Hat” (3rd Grade) — One of my earliest stories, and the first time I received real compliments on my writing in school. 

• Champion in the Darkness (2013) — My debut novel, and the start of the Champion Trilogy. Publishing this book taught me courage in stepping into the world as an author.

• “Dragonfold” (2009) — My first published short story. Dragons have always inspired my imagination, and this story opened the door to being published.

• “Seedling” — Another short story close to my heart, about growth, hope, and finding friendship in unexpected places.

• To Speak (coming 2026) — A forthcoming poetry collection in a newly expanded edition. 

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New Podcast Mini-Series

I’ve just launched a new podcast mini-series about the writing life, blending travel, caregiving, and creativity. This week is all about “Cacti, Camels, and Writing.” I share about the last few days in Mongolia and what these experiences taught me about resilience, faith, and the creative journey. Each week, I'll also air two shorter episodes with writing prompts. If you get my newsletter, you'll hear a few stories about riding camels and sitting accidentally on cacti as a kid. 

Here's a picture of me on a camel, along with the core mission team:

And the cactus part, well, it's a metaphor for some stuff (see below), and it came from finding this anonymous quote in my dad's calendar:

\

You may be given a cactus, but you don't have to sit on it.

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What I'm Writing Right Now:

Dark Blade 2 (Title may be changing) is finished as a main draft. 

But I am not ready to release it yet due to some life circumstances. 

I came home from Mongolia to find that I needed to step into a caregiving role for my parents. I am getting help, and I am finding ways to manage this, but I am going to take a beat to figure out how and when to release my next books. They are coming, but not immediately.

Mainly, I am journal writing and writing bits and pieces of Dark Blade 3.

I will let you know as soon as I can work on the release dates, and I may be asking for help. 

How can I keep on podcasting with this? Well, podcasting has been fun. 

And, I'm honestly winging a lot of episodes. Joy + grace = restful enough to do.